Elegant floor lamp from Florence

Amazing design combined with the highest quality materials and craftsmanship give the image of the Florence Art brand.

Tradition

Among the streets of Florence, you can breathe art, from S. Croce to Ponte Vecchio, and then again among sculptures, paintings, and furnishings of the Medici villas—an exceptional city, a territory where artists and artisans have found their life force for centuries. The Florence Art brand was born in 1950 from this tradition, the manual skills of Tuscan craftsmen, a love for art and beauty, a passion for classicism and what made this territory great. It was established as a sculpture workshop and has always been a manufacturing brand that researches new products, designs them, creates samples, and sculpts them entirely by hand, pantographs them, and prepares them for decoration. All production is carried out entirely in Florentine style; each element is designed by one of our designers and is unique.

Design

Florence Art, with its in-house designers, sculptors, and carpenters, can produce any type of work, even outside the Florentine style, as evidenced by some pieces made for luxury hotels. On every Florence Art item, modifications and adjustments can be made, including work entirely handcrafted by carpenters. This way, the brand can furnish a bedroom, living room, bathroom, or boudoir according to your design.

Style

The Florentine style is characterized by the way sculptures, finishes, and designs are executed, and these features are unique to a very small area—Florence. Every item made in the Florentine style has carved parts with a current, fresh, elegant taste; each part is well “toothed,” meaning well-defined, harmonizing with a classic yet youthful style. The lines of the items are both elegant and romantic. Silver, colored, and gold finishes make each line even more elegant and youthful.

Pattern and Sculpture

Sculpture is the result of an increasingly difficult-to-preserve heritage of Florentine traditions, distinguished by grace and harmony, and is a key element in highlighting and identifying the entire production line. As is the case in Florence, it cannot be confused with other geographical areas. Skilled professionals with great design abilities and stylistic knowledge are needed, such as a “sculptor” who must create models of each item and then sculpt them.

A model is the part used to reproduce the sculpture with a pantograph. To produce it, an article drawing at scale is required, then it is entirely hand-carved in wood. It is cut into pieces because the pantograph works on sections no wider than about 20 cm and about 190 cm long. The pantograph operator, who replicates the model in 16 or 24 pieces, is a specialized carpenter who knows how to assemble the carved elements. Only these three professionals ensure that the production is more skilled and valuable.

Decoration

Decoration, always entirely handcrafted, becomes an even more skilled element in various finishes; those made in Florence are incomparable to any from other regions:

“Gouache” decoration, used throughout art history—from the Renaissance, which originated in Florence, to all other stylistic periods—applies to both gold leaf (e.g., Zecchino and Antique Patina) and genuine silver leaf finishes (Ghiaccio, Bianco, Consumato, Strappato). These can be further finished with Meccata (covered with a special, ancient color, still used today, called Mekka, in finishes such as Mekka and MeccaAntica), to resemble gold when, in the past, there was no money to buy real gold.